Sunday, October 04, 2026
Green by R.E.M.
The thing that really sets this album is the utterly baffling nature of the lyrics, with gnomic allusions turned into sing along hooks. I had no idea what lines like “I’ve got my spine, I’ve got my orange crush” meant at the time and I’m still not much clearer even after reading the wikipedia page.
Does it matter if it doesn’t make sense? Maybe, maybe not, but perhaps that’s where its charm lies.
Saturday, October 03, 2026
Illinois by Sufjan Stevens
There was a lot that I enjoyed about this, particularly the ambitious scope of the music which reminded me in places of the minimalist operas of composers like Steve Reich and Phillip Glass, crossed with the breezy jazz of Vince Guaraldi and even a nod to the Cure’s “Close To Me” on the title track “Come on! Feel the Illinoise” (which was a lost opportunity to cover Slade).
What I didn’t like was a piece about the serial killer John Wayne Gacy dressing up as a clown to murder people. Seriously, this should have come with a content warning. This one track was enough to almost put me off listening to the rest of the album. Seriously, skip this one or don’t say I didn’t warn you.
The rest of the lyrics are a lot more interesting with what sound like autobiographical insights into Steven’s life and beliefs, and they are quite moving in an obtuse way. I think I’d like to read a commentary about what he’s alluding to on some of these.
This would have been five stars, but minus one for Killer Klowns and minus another one for giving up after two states. Lazy, lazy Sufjan Stevens.
Friday, October 02, 2026
Closer by Joy Division
The sound of this album defined the 80s for me, being the antithesis of plastic pop for yuppies. Without this album we wouldn’t have had so much of the music that exploded from the Manchester scene throughout that decade and beyond. As with Bowie’s Blackstar, this deserves to be listened to properly and not shuffled or playlisted.